By MARIA FINN

Published: November 4, 2005
THE infectious rhythm of Latin music has created salsa-dancing
aficionados across the globe. Here in the United States, salsa
congresses and festivals are generating tropical heat as the winter
months draw near.
Salsa is an umbrella term for many
styles of Latin dance, all of which will be taught in workshops and
performed when dancers from all over the world come together for
celebrations in Miami, the San Francisco Bay Area and New York.
The basic rhythm of salsa
originated in Cuba with the clave, or two sticks tapped together in
Cuban son, the music made internationally popular by the documentary
''Buena Vista Social Club.'' But salsa itself emerged in the 70's in
New York, where jazz and rhythm-and-blues musicians of different
ethnic backgrounds formed bands that expanded on the son style.
Puerto Ricans in New York, and then back in Puerto Rico itself, soon
developed a style of their own and made salsa central to their
identity.
In the United States, there are two
styles of salsa dancing: the Los Angeles style known as ''on 1'' and
the New York style, ''on 2.'' This essentially means that West Coast
dancers are breaking on the first beat and New Yorkers on the
second. A third, Cuban-inflected style, casino, is widely danced in
Miami. All these forms will be performed at the various congresses.
The second annual Salsa Rueda
Congress of the Americas, held at the Radisson Hotel Miami from Nov.
11 to 13, will feature popular dance styles from Cuba, including
casino, rueda and cha-cha-cha. Salseros and salseras from as far
away as Israel and Japan will compete for spots in the first annual
World Salsa Championship, to be held in Las Vegas in December. For
those who come to the Miami congress to improve their dance skills,
workshops will be held for all levels in different styles, from
Dominican bachata to Cuban rumba to salsa Colombian style.
''Posthurricane energy is already
coming back to Miami,'' said Billy Fajardo, the co-producer of the
congress and a professional salsa dancer. ''Flights are arriving,
and the hotel is fine, so all the international dancers will still
make it. We worry that the people in Miami might have more pressing
things to spend their money on. But people in this city love to
dance, and they'll really need it by then.''
At the San Francisco Bay Area Salsa
Congress from Nov. 17 to 20 at the Oakland Marriott, the dancing
will go on till 3 a.m. at each session. Weekend packages include
three nights at the hotel and a pass to lessons, shows, performances
and socials, most of which will take place on premises.
The organizers expect about 2,000
people a day to pass through for lessons and to hear the salsa star
Jose Alberto, who is known as El Canario, and the legendary
Venezuelan vocalist and composer Oscar D'Leon. Competing dance
troupes and couples will also compete for a spot in Las Vegas, and
beginning and intermediate dancers can perfect their moves in
workshops, then dance all night.
This is the fourth year for the
salsa congress in the Bay Area, and Ricardo Sanchez, a producer of
the event, thinks salsa's popularity there will just keep growing.
''Technically, the salsa community here is young,'' Mr. Sanchez
said, ''but we're getting better faster, developing our own style,
and we really encourage people starting out.''
Then there's the NY/NJ Salsa
Festival 2005 from Nov. 22 to 29. The festival, which is in its
second year, was originally scheduled for a long weekend, but
organizers estimate that more than 500 people from Europe alone are
coming, so they are making an entire week of it.
''People want to come here to dance
because it is New York City, the capital of salsa,'' said Luis
Zegarra, a producer of the festival and its artistic director.
The festivities start at the
Copacabana nightclub, with El Gran Combo de Puerto Rico playing.
There will also be a Thanksgiving night salsa cruise on the Hudson,
with party boats boarding at Pier 61 in the Chelsea Piers
recreational complex.
Most of the events and workshops
will be held at the Marriott Hotel in downtown Brooklyn, not far
from the Brooklyn Bridge. These include a dinner-theater
performance, dance performances, competitions, social dances and
workshops for all levels in salsa, Latin hustle, jazz, flamenco and
Afro-Cuban dance. Lessons for children will also be held.
Nelson Flores, a producer of the
festival and founder of Time2Dance Academy in the Bronx, believes it
is important for children and teenagers to dance.
''It's the kids of this city's
culture and heritage,'' he said. ''We've got a lot of little girls
interested, but the boys don't like to partner-dance when they're 9
or 10 years old. They don't like girls. That changes, though. And
when it does, they all wished they learned how to salsa-dance.''
THE DETAILS
Following The Rhythm
MIAMI -- Salsa Rueda Congress of the Americas, the Radisson Hotel
Miami, 1601 Biscayne Boulevard; (305) 374-0000;
www.salsaruedacongress.com. When: Nov. 11-13.
OAKLAND -- San Francisco Bay Area Salsa Congress, the Oakland
Marriott City Center, 1001 Broadway; (510) 451-4000;
www.sfsalsacongress.com. When: Nov. 17-20.
NEW YORK -- The NY/NJ Salsa Festival 2005, the New York Marriott at
the Brooklyn Bridge, 333 Adams Street, Brooklyn; (718) 246-7000;
www.nynjsalsafestival.com. When: Nov. 22-29.
LAS VEGAS -- The World Salsa Championship, the Orleans Arena; (702)
284-7777;
www.worldsalsachampionships.com. When: Dec. 14-17.
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